mardi 15 juin 2010
The Subjecter de Thomas Hirschhorn
“The mannequins—when I made them—wanted to be the poor, contemporary, amoral, non-religious version of somebody or something who endures in place of another, a kind of fetish, which is in African culture an object charged with a supernatural power, either favourable or evil. […] Other references are also possible—in fact—I always try to be precise and at the same to create an opening in my work"
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